Thursday, October 3, 2013

Oktober Ski: Cantrip Castle

In my first novel, I wrote a throwaway line about a book two characters had read, called Cantrip Castle. I've worked on the real book since, but never finished. Here, I begin again, adding from the middle.


CANTRIP CASTLE


 Lil dropped the frog onto her bed.

"You're not going to stay there for long," she warned him, "so don't get comfortable."

He hopped over her pillow and onto the nightstand, looking around him. The room was full of pink things. Pink, and frilly, and dry.

 "I'm amphibious, baby. Cotton percale duvets aren't exactly my idea of cozy. Can we get a basin in here, with a couple of stones in it, maybe?"

"What's a basin?" Lil asked.

The frog sighed.

"It's a big, deep bowl, preferably with some water in it."

 "Oh! We have one of those."

 She jumped up, heading for the pink-on-pink door.

"Not too cold!" he called after her. Her head nodded as she skipped out, and the frog found a place on the nightstand to wait, and ruminate on his options. Clearly, this relationship wasn't going to be easy.



---Mari Kozlowski

  

Wednesday, October 2, 2013

Oktober Ski: Fiction, Fiction, Fiction

After many beginnings in September, most having gone unreported here, we are into Oktober, which is always reserved for instant fiction. This year, the plan is to alternate between a few prospective books, adding some new work to each. The first is a fanfic I've just dreamed up, a gathering of stories that may or may not become interwoven, called:


A NIGHT AT THE OVERLOOK



 His wife was trying on earrings now. She'd picked up ten different pairs so far, holding them near her head in turn, assessing their effect against her perfect coif.

 Brennan sat heavily in one of the Overlook's leather club chairs, realizing he might have to wait another half hour or more just for the jewelry to get picked. Then she'd need to decide on shoes, and last of all, a wrap. All of this to go downstairs and mingle with the richest scum in America on a cracked ballroom floor under aging chandeliers, while they ate dried out canapés and lobster that was sure to be overcooked.

 He grabbed a newspaper, bored already. His wife turned from her vanity mirror, hands on hips.

"What do you think about these?"

 He lifted his head from the sports section just as the first bullet ripped through her middle.

  

Sunday, September 1, 2013

September Essay Cafe: On Beginnings.

 On this first day of my favorite, or nearly favorite month-- September has been a month of high changes and great starts since childhood, when it meant the first days of school, cooler weather, earlier bedtimes, new TV shows, and for me, my mother's new semester too (she was a college student back then)-- I have begun yet another course of study. The forward-looking energies of September make for a good time to start any project, and I often use them to get myself going on something new.

 This is in addition to the makeup artist certification I've been working on steadily, the online songwriting course I let languish and want to go back to, the guitar study I've put off recently, the liner notes for three CD's that I am supposed to finish writing for a musician friend, and the ongoing self-training as a pastry chef that I give up during hot weather and crave to go back to when Autumn comes around again. Not to mention my less important side projects, drawings, songwriting challenges, singing performances, the novel & Kindle books and short stories I'm working on, keeping up with my blogs, the cat's new daily dental regimen that I must administer, and oh, the new gaming podcast my hubby-man and I are trying to create together.

  You may see that I don't follow through on everything, and it may seem to others that I don't follow through on anything, but it isn't so-- I just take my time, generally. In the end, stuff gets done. This new beginning is a course of what could be called Creative Healing, or Healing for Creatives. It's meant to unblock us from whatever is keeping us from getting ourselves going or keeping ourselves going.

 Clearly, I need the latter. It wasn't so long ago, though, that I was crazily tentative about starting projects. Worry and fear of success (or failure) kept me from dozens of opportunities. The chances I took, moved slowly. I mean, I had a subscription to Walking Magazine for a year before I got into walking and hiking like crazy. I read about baking yeast bread for several years before it became my normal daily grind for a decade. I thought about vegetarianism from age seventeen on, but didn't go full veg till about 29. My college career didn't start till 26, though I had my GED at 17, months before my old class had graduated.

 I was taking my time, getting used to the idea of big lifestyle changes or little ones that needed to be taken seriously. Also, working though the baggage of childhood, teenagehood, love's first mistakes, etc. Like many women, I spent my youth feeling like a talented incompetent, my twenties roaming around searching for guidance, and my thirties claiming my competence. My forties have been a slow reclaiming of life goals and skills, while I try to heal from a disease I may never fully throw off.

  Being blessed or cursed through my heritage to have a multiplicity of talents, I had no smooth path to follow, to get where I wanted to be, or even find out where that was. When you have no easy template for life that fits you, decades can be wasted just looking for parameters that don't cut you up in the middle. I searched, I honed some talents to a fine point and left others for later. I worked like crazy, to prove I could. After getting sick at 41 and becoming unable to work regular jobs, I've been opening up those closets of unworn talent, reaching out in many directions. In doing so, I found a fantastic asset, one I had all but lost-- the Beginner's Mind.

 Beginners have hope, joy, and excitement. They carry an easy confidence that they will learn through the challenges; they have a false bravado that becomes calm acceptance of the known, in time. They can be persuasive, engaging, intoxicating to be around due to the energy they give off-- fun people. They are, most of all, willing-- willing to try, to focus, to create space for the new, and to make mistakes and learn from them.

 The Beginner's Mind carries you through the fears of the first moments, through the financial rearrangements that new projects call for, through the cleaning out of old junk (metaphorical or literal) that has taken up room better utilized for that new beginning, and through the first realization that you might have more work to do here than you had thought. If you can hold on to it, you find it carries you through the harder, later stages of learning/trying as well.

http://www.youtube.com/watch?v=BQ4yd2W50No

(He is wrong, BTW).

 I'm writing all of this just to tell you, for my sake and yours, that it's okay to start ''too many'' projects and to let some of them lapse for days, years or forever. It's better than okay, it's fucking great-- because beginning means effort, and motion, and willingness to try. If you begin well, it means learning and accomplishment aren't far away, either. Beginning does, often, lead to a finished creation, or situation. When it doesn't, you're still closer than when you were afraid to begin.

 Not to go all new age-y on you here, but focusing solely on end products kills much creativity. There is a middle ground between constantly flaking out and soulless "success" that feels as bad as total failure, but only beginners have the chance to find it. The more beginnings you make, the more chances. Whether you're beginning to learn how to play an instrument you've never picked up before, or beginning a better health regimen for the twelfth time, start it up. Find out what it would take to do it well, and prepare-- but not too long. Some things you can add on to as you go-- take it from a perpetual beginner. 

 And lest you think I'm fooling myself, soothing myself with fantasies of Someday while I tote up a million false starts, let me tell you what I've finished lately:

 Since November 2008, I've finished the first drafts of four novels, written hefty amounts of several other novels, dozens of short stories and poems, something like 300+ songs, many of which I've collaborated on with musicians from all over the world and some of which I've performed with my band; I've donated some of my precious time to care for children from several families that couldn't afford full-time daycare; I've become the organizer of a great critique group and helped bring it back from a very low point of participation; become a consultant for a young writers group in a local high school; been published in an anthology; I've helped talk a person dear to me out of suicide; I've done artwork and voiceovers for a successful niche podcast; learnt to make the best coffee ice cream on the planet and a perfect cherry pie; learnt to play Happy Birthday on the ukulele; kept my household together through agonizing financial difficulties and illness; and had some of the best writing experiences of my life.  

 Those are just the big things.

 I could have focused hard on one dull task, and made enough money to buy a new couch, maybe. I could have spent all of my time working on my figure, trying to heal my body, or writing bland internet content I wasn't proud of. Instead, people I respect speak of my work with respect and occasional awe. Children I love have been an intimate part of my life, and I know I've influenced them in at least a few good ways. I have turned the sad death of a friend into 2 good songs, and the death of a friendship into at least three songs and a short story. I've gotten better, very slowly but through effort. I've kept myself from getting sicker, too. And screwed up thousands of times, and learned a great deal. To boil it down to one truth, I have lived and thrived after utterly losing my hard-built career status, my dreams, my health and all of my former plans-- and it was all because I started a crazy writing project in a rush, on a whim, throwing myself into it with my whole will, and immediately finding that it sparked dozens of other ideas for projects.

 These lists of accomplishments aren't meant to glorify myself, but rather to glorify and rejoice in the idea and practice of Beginning, which has gotten some bad rap recently. By now, people are tired of the whole Resolution thing each January, and the Western World seems to willfully misunderstand and mock the Eastern ideal of revering a  process, no matter how far ahead the Eastern world gets through actual production following this reverence. We shame those that make a good try, and we ignore what we could get from trying again and again. Instead we focus on the end result to the exclusion of any beginning without solid guarantees for immediate or substantial profit.

 Good beginnings have their own immediate profit-- excitement, the joy of discovery, a shaking off of old habits, the prepping of our minds to receive instead of produce. It's worth more than you'll ever know, if you don't jump in and start something you might not be able to finish on schedule-- but then again, you might.   


Happy September! Peace, Mari


   

Thursday, August 22, 2013

September Essay Cafe

 As always here at Oktober Ski, the writing changes month to month, season to season, with some months deliberately left quiet. I use this space to experiment and play around with forms I may not have approached before, and also to push myself to do more with the work inside my comfort zone-- which can make for unfinished bits, but makes for more bits overall, for which I am grateful.

Each month has a theme.

 Starting early (soon) September will see me attempting the essay-- personal or topical, any subject is up for grabs. The ideas have been swimming around for weeks, and I hope that when I dip my toe into that water, it won't go suddenly cold.

 See you soon. Peace, Mari

Tuesday, June 18, 2013

Promptly This June: Unplugged Poems



    Googling 'poetry prompts' brought me this, from Writer's Digest.

     

Wednesday Poetry Prompts: 221

Categories: Poetry Prompts, Robert Lee Brewer's Poetic Asides Blog, What's New.
Over the past weekend, I took Friday off work and “unplugged” myself from nearly all my electronics (except my phone, which I barely used) until Monday night. So four days and four nights (if including Thursday night) without e-mail, social media, blogging, websites, etc. As a person constantly immersed in media, it felt liberating to pull the plug.
For this week’s prompt, write an unplugged poem. The plug could be attached to computers, but maybe it’s a metaphor for relationships that need the plug pulled. Or a phase of your life. Or a way of thinking. Or a toaster. Just a toaster.

-----------------------------------------------------

I'm going to have to do this with pen and paper first, to remember being unplugged. When I took my first poetry courses in college, it was all pen and paper.




The Cool Lamp


Our cool blue lamp broke in transit
One item from a household of goods
Chairs and antique platters, movies and crystal and hope
Driven here in a POD and set in the new driveway.

We unpacked ourselves less carefully than we could have.
We rushed into a larger space than we knew, going in.
Sharp pieces hid in many corners.

Unused but not discarded
The strong metal base sits in a closet
Dusty and dim as the hopes and crystal, now
Disconnected from our energy.



© By Mari Kozlowski, June 18, 2013


 

Sunday, June 16, 2013

Promptly This June! June 12th, The Man in the Park

Here's one I picked up from WD's online prompt source, http://www.writersdigest.com/prompts.


The Man in the Park

 
You get back to your studio to develop pictures from the hour you just spent in the park. All of the pictures turn out well, except for a select few. In six photographs, there is a man in the frame. Something seems slightly off, and rather strange about each picture. Who is he and what is weird about the photographs?

500 words or less.

----------------------------------

Neela laid out her afternoon's work, smiling-- the colors, the action she'd captured on film, were the makings of a fine collage, a set piece to be bleached and stained, in parts, hung against other finds from the park like the twisted twig still adorned with half a cocoon, or the heron feather, her prize of the day. Four hours of shooting & gathering, and another two in the darkroom, she considered well spent. She walked around her craft table pushing pics towards or away from each other, as a natural arrangement suggested itself.

 There was core of ten, she felt, the lynchpin of the piece emerging in her mind's eye-- each filled with movement from animals, wind-rippled leaves and a generous splash of sun-struck cityscape in the background. She slid the group of photos together and apart, testing her ideas. One of the core had an odd blue edge to it, on the right side. She swung her overhead light to a tighter focus, and noticed that several more of the core had the same edging of blue.

(unfinished)


 

Sunday, June 9, 2013

Promptly This June

 That's my unsubtle play on words, since here it is, already my little sister's Birthday, June 9th.

 Of course I called her, hush now.


 If you've been keeping up with me, you know I've just had major surgery, a full hysterectomy. I've been home for over a week now; I went in on a Wednesday and came home that Friday. Normally I don't heal all that fast, so this amazing turnaround is heartening. Still, I've blocked out my calendar for June and July as Healing months.

 Healing is boring sometimes, though, when you can't go outside alone, or drive, and you don't look decent enough to have visitors that aren't related. So I've decided to use a new prompt here, every few days or so, to keep my head moving and the ideas flowing.

 I won't keep them to fiction alone, variety is Necessary right now.

First one, below. 'Night night!

---------------------------------------
From P&W, my easy source for prompts.

Ten-Second Essays

 
Read James Richardson’s aphorisms or “ten-second essays." Pick one that resonates with you, and use the aphorism as an epigraph or starting off point for a poem.


11.
ll stones are broken stones.

--------------------------

Around the edge of the sidewalk, in the street or garden

stones are broken, pieces of hardness

not hard enough to have stayed whole

like your child's heart that still beats in two places--

a half-forgotten past and the idealized future

we were building with curved cast-off tiles 

when the moon came down and shattered us, too.



© By Mari Kozlowski, June 9, 2013